Major: Bachelor of Arts
MajorOverview
The Department of African and African American Studies (DAAAS) equips students with the skills to understand how Africa and its diasporas are distinct worlds, yet bound by history and in constant conversation. The DAAAS major takes both African and diasporic worlds seriously, exploring the diversity of African and African-descended experiences while tracing the connections that link them. Our courses examine how African and African-descended peoples helped build the modern world and how they will shape what comes next - from global politics and artificial intelligence to cultural and artistic innovation. Students learn to think rigorously about the evolving meanings of identity, power, freedom, creativity, innovation, and social responsibility in an interconnected world. Graduates of DAAAS pursue careers in law and public policy, the arts, media, business, medicine, education, science and technology, and public service.
Requirements
Core Program Requirements
African American Studies
AFRICAAM 101A
African American Studies
Foundations of African Studies OR Foundations of African American Studies
AFRICAAM 145B
Foundations of African Studies
AFRICAAM 104
Foundations of African American Studies
Community Engaged Learning
The field of African and African American Studies has a rich history and tradition of being grounded in theory, practice, and community. The field was founded out of community demand and thus we have a social responsibility to engage in work that services Black, African, and/or African diasporic communities. The DAAAS community engaged learning requirement allows students to engage with communities to address a collective problem or societal need, critically examine public issues, and/or engage in a community-based project. This requirement allows students to either take a relevant class from one of these Community Engaged Learning course offerings via Cardinal courses opens in a new tab (courses must have a focus on Black, African, and/or African Diasporic community/communities). Students can also choose to design their own community engaged learning experience in close collaboration with their faculty advisor and the DAAAS Director of Advanced Studies and Community Engaged Learning. This could involve an individualized and ethical strategy for engagement with an African diasporic community in the Bay Area (examples include the Congolese Community Center in Oakland; the Central African Dance Center in Richmond; the Eritrean Community Center in San Francisco, amongst many other possibilities). Students are also able to fulfill the requirement through participation in a one of Stanford’s Bing Overseas Study programs (BOSP). Either through BOSP’s Global Seminars opens in a new tab or quarter-long Stanford-In programs opens in a new tab, particularly the Cape Town program opens in a new tab, students are able to fulfill their community engaged learning requirement via participation in an overseas program that focuses on Black, African, and/or African diasporic communities. Note that a study abroad course must contain a community engaged learning component in the course to fulfill the requirement for the major. DAAAS students must take a 2 credit “re-entry” directed readings course with their faculty advisor upon returning from an overseas study course. In connection with this community engaged requirement, students could design a public deliverable that could also become the basis for their final Capstone project or Honors thesis project.
AFRICAAM 212
How We Free Us: Activism and Community
AFRICAAM 214
To Live for the People: Black Public History in the Bay Area
OSPGEN 24
The Arts in Jamaica: Exploring Knowledge Production, Community, and Resistance
OSPGEN 26
Interdisciplinary African Urban Studies
OSPCPTWN 10
Climate Change and Political Violence
OSPCPTWN 100S
Global Public Health in South Africa
OSPCPTWN 15
INDIGENOUS PEOPLES, LAW
OSPCPTWN 17
Understanding Liberation Struggles: The US Civil Rights and South African Anti-Apartheid Movements
Breadth in Discipline
Breadth Overview
At least 15 units are selected to create a comprehensive understanding of the field of African and African American Studies, including the central role of artistic practice. The courses introduce students to diverse geographical regions (in Africa and the Americas), as well as to diverse methodologies marrying creativity and critical thinking.
Select 3 courses; at least 2 must be DAAAS; the other may be taken from another department if approved by the DUS.
Creative Practice
AFRICAAM 136
Black Creativity in New Orleans: Art, Culture, and Creating Futures
AFRICAAM 162
Black Lens/Black Lines: Cinematic Movement
AFRICAAM 135
Empathy in Black Art and Literature
AFRICAAM 114
Techniques in Poetry: The Historic Hinge
AFRICAAM 42
Clothing and Black Expressive Culture in African American History
Africa-focused Courses
AFRICAAM 161
African Philosophy: Past, Present and Future
AFRICAAM 198
AI and African Archives
AFRICAAM 263
Decolonizing African Epistemology in the Era of AI
Americas-focused Courses
AFRICAAM 214
To Live for the People: Black Public History in the Bay Area
AFRICAAM 274
Copyright, IP, and AI in Popular Music
AFRICAAM 136
Black Creativity in New Orleans: Art, Culture, and Creating Futures
AFRICAAM 42
Clothing and Black Expressive Culture in African American History
AFRICAAM 212
How We Free Us: Activism and Community
Depth in Discipline
Depth Overview
Select 5 courses and a minimum of 15 units from 1 thematic cluster; 3 courses must be in DAAAS. The others may be taken from another department if approved by the DUS.
Cultures and Arts
AFRICAAM 180
Black Arts in Theory and Practice
AFRICAAM 120
Writing the Mind, Writing the Body
AFRICAAM 135
Empathy in Black Art and Literature
AFRICAAM 113N
Foundations of American Popular Music
AFRICAAM 42
Clothing and Black Expressive Culture in African American History
AFRICAAM 262
Toni Morrison: Modernism, Postmodernism, and World Literature
AFRICAAM 162
Black Lens/Black Lines: Cinematic Movement
AFRICAAM 114
Techniques in Poetry: The Historic Hinge
AFRICAAM 279
Introduction to Black Popular Culture
AFRICAAM 145B
Foundations of African Studies
AFRICAAM 104
Foundations of African American Studies
AFRICAAM 155
Aura, AI, and Sports
AFRICAAM 157
Death and the Black Imagination
AFRICAAM 179
The Beautiful Game is African: An African History of Soccer
Science, Technology & Society
AFRICAAM 198
AI and African Archives
AFRICAAM 263
Decolonizing African Epistemology in the Era of AI
AFRICAAM 274
Copyright, IP, and AI in Popular Music
AFRICAAM 151
Ethical STEM: Race, Justice, and Embodied Practice
Ethical, Social, and Political Thought
AFRICAAM 161
African Philosophy: Past, Present and Future
AFRICAAM 210
Righteous Rage, Healing Justice: Contemporary Black Feminisms
AFRICAAM 214
To Live for the People: Black Public History in the Bay Area
AFRICAAM 212
How We Free Us: Activism and Community
AFRICAAM 139
Black Geographies
Electives
Elective Courses
The other 15 units (to make the total of 64 units required by our Major) will consist of Department approved electives both within and outside of DAAAS.
AFRICAAM 4
The Sociology of Music
AFRICAAM 10
Intro to IDA: power, art, and practice
AFRICAAM 18A
Introduction to Jazz History and Appreciation
AFRICAAM 18B
Jazz History and Appreciation: Advanced Level
AFRICAAM 19
Studies in Music, Media, and Popular Culture: The Soul Tradition in African American Music
AFRICAAM 20A
Jazz Theory
AFRICAAM 27H
Faculty Choreography: Aleta Hayes
AFRICAAM 29C
Afro Contemporary Dance I
AFRICAAM 31
RealTalk: Intimate Discussions about the African Diaspora
AFRICAAM 37
Contemporary Choreography: Chocolate Heads Performance Project - Oceanic Body
AFRICAAM 41
Genes and Identity
AFRICAAM 42
Clothing and Black Expressive Culture in African American History
AFRICAAM 43
Introduction to African American Literature
AFRICAAM 45
Freestyle Lab: Improv Strategies from Contemporary to Club
AFRICAAM 46
Cape to Cairo: Decolonization and African Urban Life 1940s-1960s
AFRICAAM 46S
Ancients and Moderns: Africa and South Asia in World Literature
AFRICAAM 47
History of South Africa
AFRICAAM 47C
Rewriting Africa: History, Culture, and the Power of Imagination in Postcolonial Africa
AFRICAAM 47N
Mapping Apartheid: Data, the Regina Twala Archive, and the Global Legacy of Racial Segregation
AFRICAAM 48C
The Life and Legends of Cleopatra VII
AFRICAAM 50B
Nineteenth Century America
AFRICAAM 50C
The United States in the Twentieth Century
AFRICAAM 53S
Black San Francisco
AFRICAAM 54N
The Inner Lives of Black Women
AFRICAAM 54S
From Stanford to Stone Mountain: U.S. History, Memory, and Monuments
AFRICAAM 55F
Civil War and Reconstruction, 1776 to 1876
AFRICAAM 60
Spoken Word Poetry and Resistance: 1990's-Present
AFRICAAM 61
Theater and Social Justice: Skills for Rethinking Everything
AFRICAAM 80Q
Race and Gender in Silicon Valley
AFRICAAM 99C
Inter-Cultural Communication and Studying Abroad
AFRICAAM 100
Movement: Migration, Songwriting, and Multi-Platform Storytelling
AFRICAAM 101A
African American Studies
AFRICAAM 103C
The Dynamics of Style and Culture in Francophone West Africa and Paris
AFRICAAM 104
Foundations of African American Studies
AFRICAAM 105
Foundations of African American Studies II
AFRICAAM 105C
Paris through 10 Objects and Places
AFRICAAM 106
Race, Ethnicity, and Linguistic Diversity in Classrooms: Sociocultural Theory and Practices
AFRICAAM 106C
AI 360: What's Critical to Know about AI
AFRICAAM 106I
Multi-Style Choreography: A Deep Dive into the Stanford Dance Community
AFRICAAM 107
Beauty and the Beast: A History of West African Fashion and Sustainability
AFRICAAM 110
Racial Justice in the Nuclear Age
AFRICAAM 110F
From Colonialism to AI: The Politics of Science, Technology, and Development in Africa
AFRICAAM 112
Urban Education
AFRICAAM 112B
African Literature: From Chinua Achebe to Afrofuturism
AFRICAAM 113A
African American Ecologies
AFRICAAM 113N
Foundations of American Popular Music
AFRICAAM 114
Techniques in Poetry: The Historic Hinge
AFRICAAM 115
Excavating Enslavement
AFRICAAM 118
Co-developing Appropriate Energy Technology in Ghana
AFRICAAM 120
Writing the Mind, Writing the Body
AFRICAAM 121B
"The Will to Adorn": An Anthropology of Dress
AFRICAAM 121N
How to Make a Racist
AFRICAAM 122
Spatial Concepts in African Literature
AFRICAAM 123
Foundations of Global Black Diaspora Studies I: Diaspora, Literature, Cosmopolitanism
AFRICAAM 124
Caribbean Questions: Exploring the Caribbean
AFRICAAM 124C
Quilt Making as Black Expression
AFRICAAM 125
The Archaeology of Africa and African Diaspora History and Culture
AFRICAAM 126
Prelude to Jamaica: Exploring Knowledge Production, Community, and Resistance in the Arts
AFRICAAM 128
Afro Contemporary Dance - Mixed Level
AFRICAAM 128C
Modern Africa: Art and Decolonization
AFRICAAM 131
Racial Equity in Energy
AFRICAAM 132B
Representing Genocide
AFRICAAM 133
Literature and Society in Africa and the Caribbean
AFRICAAM 134
Black Music Revealed: Black composers, performers, and themes from the 18th century to the present
AFRICAAM 135
Empathy in Black Art and Literature
AFRICAAM 135A
Contemporary Islam & Muslims in the United States
AFRICAAM 136
Black Creativity in New Orleans: Art, Culture, and Creating Futures
AFRICAAM 138
Intersectional Feminisms
AFRICAAM 139
Black Geographies
AFRICAAM 140
Black Ecologies
AFRICAAM 141
Performing Rights: Race, Intellectual Property, and the U.S. Recording Industry
AFRICAAM 145
Narratives of Enslavement
AFRICAAM 145B
Foundations of African Studies
AFRICAAM 145S
Land and Power in the Anthropocene: Perspectives from Africa
AFRICAAM 146
The Black Fantastic: Sci-Fi, Horror, and Fantasy in the Black Diaspora
AFRICAAM 147
History of South Africa
AFRICAAM 149
African Voices: Literature and Arts in 20th Century South Africa
AFRICAAM 150
Ujamaa Scholars: Education About Topics That Matter in The Black Diaspora
AFRICAAM 150B
Nineteenth Century America
AFRICAAM 150C
The United States in the Twentieth Century
AFRICAAM 151
Ethical STEM: Race, Justice, and Embodied Practice
AFRICAAM 151C
Medical Anthropology, a Global View
AFRICAAM 152
Salamander in the Fog: Photography, Printmaking & Land Stewardship (Visiting Artist, Erina Alejo)
AFRICAAM 152G
Harlem Renaissance
AFRICAAM 153
Culture Beyond Capital
AFRICAAM 153P
Black Artistry
AFRICAAM 154
Fanon
AFRICAAM 154G
Black Magic: Ethnicity, Race, and Identity in Performance Cultures
AFRICAAM 155
Aura, AI, and Sports
AFRICAAM 157
Death and the Black Imagination
AFRICAAM 158
Rebelión: Black Resistance in the Caribbean
AFRICAAM 158C
Black Theater and its Relevance: The Plays of August Wilson and Lorraine Hansberry
AFRICAAM 159
James Baldwin & Twentieth Century Literature
AFRICAAM 160J
Conjure Art 101: Performances of Ritual, Spirituality and Decolonial Black Feminist Magic
AFRICAAM 161
African Philosophy: Past, Present and Future
AFRICAAM 161E
Stanford Afro-Latin Jazz Orchestra
AFRICAAM 162
Black Lens/Black Lines: Cinematic Movement
AFRICAAM 162C
"Do The Right Thing" - Writing About the Films of Spike Lee
AFRICAAM 167
Animated By Origins: Africa and The Americas
AFRICAAM 168
Race, Nature, and the City
AFRICAAM 169A
Race, Ethnicity, and Water in Urban California
AFRICAAM 169C
Race and Ethnicity in Urban California: Research Seminar
AFRICAAM 170
Black Marxism: Race, Class, and Liberation
AFRICAAM 170C
Black, White, Jewish: The Racial Politics of Jewishness
AFRICAAM 172
Transformative Art-Practices for Engaging Community
AFRICAAM 173
Still Waters Run Deep, Troubling The Archive with filmmaking and photography
AFRICAAM 176
Introduction to Themes in Black Studies I
AFRICAAM 179
The Beautiful Game is African: An African History of Soccer
AFRICAAM 179A
Crime and Punishment in America
AFRICAAM 180
Black Arts in Theory and Practice
AFRICAAM 180D
Designing Black Experiences
AFRICAAM 182
Abdulrazak Gurnah: Between East Africa and the Indian Ocean World
AFRICAAM 183
Black Feminism and the SciFi of Octavia Butler
AFRICAAM 184
Racialized Identity & Embodiment in the Caribbean
AFRICAAM 186
Black Experimental Narrative
AFRICAAM 187
African Archive Beyond Colonization
AFRICAAM 189
Zora Neale Hurston
AFRICAAM 190
Race and Immigration
AFRICAAM 191B
African American Art
AFRICAAM 192B
Poetry Is Not a Luxury
AFRICAAM 193
Black and Brown: American Artists of Color
AFRICAAM 195
Independent Study
AFRICAAM 197
Star Trek Deep Space Nine, Alternative Futurisms and Radical Worldbuilding
AFRICAAM 198
AI and African Archives
AFRICAAM 198B
Digital Traces
AFRICAAM 200N
Funkentelechy: Technologies, Social Justice and Black Vernacular Cultures
AFRICAAM 200P
Doing Religious History
AFRICAAM 200X
Honors Thesis and Senior Thesis Seminar
AFRICAAM 200Y
Honors Thesis and Senior Thesis Research
AFRICAAM 200Z
Honors Thesis and Senior Thesis Research
AFRICAAM 201
Moving the Message: Reading and Embodying the Works of Audre Lorde
AFRICAAM 203
Mining Inequality: AI, Extraction, and Racial Capitalism
AFRICAAM 205K
The Age of Revolution: America, France, and Haiti
AFRICAAM 207
Emergent Thinking: Abolition and Climate Change
AFRICAAM 208
Women of the Movement
AFRICAAM 210
Righteous Rage, Healing Justice: Contemporary Black Feminisms
AFRICAAM 212
How We Free Us: Activism and Community
AFRICAAM 213
Culture and Revolution in Africa
AFRICAAM 214
To Live for the People: Black Public History in the Bay Area
AFRICAAM 215
Huckleberry Finn and its Afterlives
AFRICAAM 215A
Excavating Enslavement
AFRICAAM 217
Black Life, Culture, and the Emergence of the Field from Emancipation to the Present
AFRICAAM 218
Musics and Appropriation Throughout the World
AFRICAAM 220
African Art, Modernism, Cosmopolitanism
AFRICAAM 221
Between Malcolm X and Martin Luther King, JR.: Race, Religion, and the Politics of Freedom
AFRICAAM 221C
Stanford Black Academic Lab: Community-Based Participatory Methods
AFRICAAM 224
Caribbean Questions: Exploring the Caribbean
AFRICAAM 226
Mixed-Race Politics and Culture
AFRICAAM 227
African American English
AFRICAAM 228
Foundations of African-American Studies II: New Approaches to the Field
AFRICAAM 230A
Digital Civil Society
AFRICAAM 235
Print on Purpose
AFRICAAM 236
Constructing Race and Religion in America
AFRICAAM 236B
Casablanca - Algiers - Tunis : Cities on the Edge
AFRICAAM 238J
The European Scramble for Africa: Origins and Debates
AFRICAAM 239
Reparations in Law and History
AFRICAAM 240
Foundations in African Studies II: Knowledge outside the colonial library
AFRICAAM 240C
Black Ecologies
AFRICAAM 241A
Gentrification
AFRICAAM 242
Black Religion in America
AFRICAAM 243
History of West Africa
AFRICAAM 244
Re(positioning) Disability: Historical, Cultural, and Social Lenses
AFRICAAM 245
Understanding Racial and Ethnic Identity Development
AFRICAAM 246
Introduction to African Studies II: Who Owns the Past? African Museum Collections in the Bay Area
AFRICAAM 247
Gender and Sexuality in African History
AFRICAAM 247B
Health, Healing, and the Body in African History
AFRICAAM 247G
Africa in a Global Perspective: Connections, Encounters, and Diasporas
AFRICAAM 248
Racial and Gender Inequalities in Latin America
AFRICAAM 248C
Curating the Image: African Photography and the Politics of Exhibitions
AFRICAAM 249C
Sylvia Wynter: Being Human
AFRICAAM 249X
Colonial Africa and the Making of the Modern World
AFRICAAM 250J
Baldwin and Hansberry: The Myriad Meanings of Love
AFRICAAM 251J
American Slavery and Its Afterlives
AFRICAAM 254G
Black Magic: Ethnicity, Race, and Identity in Performance Cultures
AFRICAAM 255
Identity in the American Imagination
AFRICAAM 256
Black Contemporary Filmmakers
AFRICAAM 256E
The American Civil War: The Lived Experience
AFRICAAM 257
Histories of Racial Capitalism
AFRICAAM 258
Black Feminist Theater and Theory
AFRICAAM 260B
Writing Black Women into History: Ten Characters from American Literature
AFRICAAM 260C
Black Women, Trauma, and the Art of Resistance
AFRICAAM 260P
American Protest Movements, Past and Present
AFRICAAM 261
Black Aliveness
AFRICAAM 261E
Black Mirror: Representations of Race & Gender in AI
AFRICAAM 262
Toni Morrison: Modernism, Postmodernism, and World Literature
AFRICAAM 263
Decolonizing African Epistemology in the Era of AI
AFRICAAM 263C
The Religions and Cultures of Enslaved People in America
AFRICAAM 264
Introduction to Global Black Diaspora Studies II
AFRICAAM 266
Classical Reception in the Black Diaspora
AFRICAAM 266C
Religion and the Civil Rights Movement: Race, Faith, and Kinship
AFRICAAM 272
African American Child and Adolescent Mental Health: An Ecological Approach
AFRICAAM 274
Copyright, IP, and AI in Popular Music
AFRICAAM 274C
Haiti: Past, Present, and Futures
AFRICAAM 276
Introduction to Themes in Black Studies II
AFRICAAM 278
Carceral Logics & Abolition in Education
AFRICAAM 278C
From Aksum to Athens: African Antiquity
AFRICAAM 279
Introduction to Black Popular Culture
AFRICAAM 282C
Enslavement and the Protracted End of Slavery in the Middle East and East Africa
AFRICAAM 289
West Africa and the Making of the Ancient and Modern World
AFRICAAM 291
Riot: Visualizing Civil Unrest in the 20th and 21st Centuries
AFRICAAM 292
Contemporary Black Feminist Paths
AFRICAAM 292C
Education for Liberation: A History of African American Education, 1800 to the Present
AFRICAAM 294
Black Brazil: Afro-Brazilian Music, Literature, and Art
AFRICAAM 360P
American Protest Movements, Past and Present
AFRICAAM 361
Comparative Methodologies in Black Gender Studies
AFRICAAM 362E
Toni Morrison: Modernism, Postmodernism, and World Literature
AFRICAAM 389C
Race, Ethnicity, and Language: Anansi in the Machine: Black Languaging and Oral Traditions
AFRICAAM 428
Intersectional Justice in Education Policy and Practice
AFRICAAM 442
(Re)Framing Difference: Interdisciplinary Perspectives on Disability, Race and Culture
AFRICAAM 488
Stanford Black Academic Lab: Community-Based Participatory Methods
AFRICAAM 491
Riot: Visualizing Civil Unrest in the 20th and 21st Centuries
Writing in the Major (WIM)
Writing in the Major (WIM) Courses
AFRICAAM 200X
Honors Thesis and Senior Thesis Seminar
Note: AFRICAAM 200X also satisfies Capstone/Senior Seminar
Capstone
Capstone Experience
AFRICAAM 200X
Honors Thesis and Senior Thesis Seminar
Note: AFRICAAM 200X also satisfies WIM. The capstone course is the culminating course of the DAAAS major degree, offered during the Autumn quarter of a major’s senior year. All senior majors will present their Capstone or Honors thesis projects at DAAAS Senior Presentations during the Spring quarter of their senior year.
Honors
OptionalHonors
Honors Requirements
The Department of African & African American Studies honors program provides qualified DAAAS majors with the opportunity to pursue original research in their areas of interest pertaining to Black Studies or any other approach to African and African American Studies during their senior year. Students are expected to produce a paper of the highest quality reflecting three quarters of sustained effort and engagement. Over the course of their senior year, students will develop effective research skills and the ability to critically analyze data. Students will also learn how to construct persuasive arguments and to communicate their new insights with attention to both clarity and nuance, culminating in a 40-60 page honors thesis.
To participate in the DAAAS honors program, students must average a minimum 3.5 overall GPA average. The final honors or creative honors thesis must receive a grade of an “A” in order for students to earn the honors distinction in the Department of African & African American Studies. Students must also prepare and deliver a conference-style presentation of their work during the DAAAS Senior Presentations during the Spring quarter of their senior year.
DAAAS majors participating in the honors program must enroll in 5 units of AFRICAAM 200X (the DAAAS Capstone course, which is also a WIM course) in the Autumn, 5 units of AFRICAAM 200Y in the Winter, and 5 units of AFRICAAM 200Z in the Spring. Please note that the DAAAS honors program courses (AFRICAAM 200Y and AFRICAAM 200Z) do not count toward students’ overall units required for the DAAAS major.
The DAAAS Capstone course and two honors courses provide students with a community of peers conducting scholarly research with support from the Director of Advanced Studies and Community Engaged Learning, faculty advisors, workshop leaders, and other units on campus like the Hume Center for Writing and Speaking opens in a new tab, as they work on their honors and creative honors theses.
AFRICAAM 200X
Honors Thesis and Senior Thesis Seminar
AFRICAAM 200Y
Honors Thesis and Senior Thesis Research
AFRICAAM 200Z
Honors Thesis and Senior Thesis Research

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